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Who Would You Award These Disney Channel Superlatives To?

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These Disney Characters Have The Same Name — Which Character Is The Best?

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There’s more than one Milo.


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Frida Kahlo review – portrait of the intriguing Mexican painter | Documentary films

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Having gone quiet for a few months since lockdown, the reliably informative Exhibition on Screen series returns with a profile of Frida Kahlo, the Mexican painter who has long been venerated as a pioneer of feminist iconography as well as a champion of the country’s indigenous culture. While the series tends to use large-scale exhibitions as a cue, this film spends only brief periods inside a gallery spaces – primarily the Museo Dolores Olmedo in Mexico City, which holds significant amounts of Kahlo’s work, as well as her husband’s Diego Rivera. Instead, we get a straightforward, meat-and-potatoes overview of Kahlo’s life, peppered with copious commentary from the usual top-notch academic and curatorial talent, as well as family members.

While it’s perhaps not fair to make grandiose claims for this sober-toned film, I suspect it’s trying to somehow reclaim the artist from “Fridamania”, the surge of admiration that swept the cultural world in the 70s and 80s when Kahlo’s preoccupations – her brutal physical realities, the adoption of costume and imagery, the use of her body as a personal theatre – became fashionable, decades after her death. There’s a measured tone throughout, as well as some great photographs: Kahlo with Rivera, who always seems to look as if he’s just woken up; Kahlo’s father, whose spiffy goatee is surely the source of the shadowy facial hair Kahlo liked to paint on to herself; and Kahlo herself as a radiant teenager and twentysomething, despite the horrific bus crash that affected her from the age of 18.

Though necessarily a little light on detail, this is a film that covers the required bases, striking a good balance between Kahlo’s often dramatic personal life and the ins and outs of her artistic achievements. (A fervent case is made that Kahlo was the first artist to render menstrual blood on canvas, in her heartbreaking depiction of her miscarriage and hospital stay in Detroit, where she had accompanied Rivera on one of his mural commissions.)

There’s also an interesting sidebar on Mexican retablo painting – the votive street art that is still a traditional method of attempting to gain divine intercession – which Kahlo herself collected and which was a clear influence on her own work. All in all, a very watchable film about an ever-intriguing figure.

Frida Kahlo is in cinemas.


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27 Things We Learned On Zoom With Kelvin Harrison Jr.

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Asante Blackk.

3. What are you currently binge-watching on Netflix.

[Laughs] Marriage at First Sight.

4. Name a celebrity on your bucket list to star with in a project.

Tilda Swinton. 100%. I don’t know what movie it would be, [but] I feel like it would be cool and she’d just be a lot of fun.

5. Desert island: what are three albums that you cannot live without?

The Piano Album by PJ Morton and Rick Wakeman, Kind of Blue by Miles Davis, and Believe by Yolanda Adams.

6. Who is your childhood celebrity crush?

Brandy [Norwood.]

7. What is one thing you cannot leave your house without?

Lip balm. I have to have my lip balm. [My manager] Brandi actually got me this thing for Christmas, the Jack Black [Balm Squad lip balm kit], and I still use it.

8. What is a typical day like for you in quarantine?

I would wake up in the morning, I would meditate — like a 30-minute mediation — and then I would write in my journal. Whatever I saw in my dream or my mediation, I would [write] a poem; I started writing these little poems based on the visuals I saw in my dreams. It was always weird. Then, I would make my breakfast, do a workout, read for a couple of hours, catch up with some friends [on FaceTime], and then I would decide if I wanted to watch a movie or binge-watch some TV. And then paint, and then go to sleep. That was literally what I did every day [before I returned to work].


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