Connect with us

Entertainment

Ultimate Friends Character Trivia Quiz

Published

on

Before we get into the quiz, here are the characters you should anticipate seeing. This quiz includes one question about every named, recurring character on Friends. Each character included has either appeared in 5+ episodes or is an immediate family member to one of the six main characters with recurring appearances. Alright, let’s get goin’!


Source link

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

The Hottest Scene In “Bridgerton” Is Actually When Daphne And Simon Shared An Illicit Hand Touch

Published

on

By

Broke: library scene. Woke: hand touch by the portrait scene.

Bridgerton has been all the rage since it premiered on Christmas Day — thank you, Shonda — and I consider myself a loyal member of the BFC (Bridgerton Fan Club).


Netflix

Like, how can you not be a fan of this content when THIS. IS. THE. CONTENT???

Now, in case you weren’t aware, Season 1 follows Daphne Bridgerton and Simon Basset’s enemies-to-fake-dating-to-lovers-to-passionate-enemies-and-then-back-to-lovers storyline*.

Much to everyone’s surprise and, ahem, enjoyment, there is a LOT of sex in this show. SPECIFICALLY, the stirring library scene™ has been all anyone can talk about:


Netflix

Steamy? Yes. Uncomfy? Also yes.

Well, dear reader, I am here to direct your attention to ANOTHER scene that deserves our attention: the HAND TOUCH!

When I say I stan…

give me a gentle hand caress between upper class 19th century men and women too stubborn to express their love for one another over a steamy sex scene any day

So, needless to say, when I saw this scene in Bridgerton I just about fainted:

HELLO!!!


Netflix

I can feel the yearning in this!

Upon further inspection, Daphne is seen putting her glove back on. Which means she WANTED TO FEEL THE DUKE’S TOUCH!!

Before you get your corset in a twist, I’m not the only one who! thinks! this!

The hottest scene in #Bridgerton isn’t sex it’s when Daphne is talking about his painting and then their hands touch! Makes me as happy as the hand flex from pride & prejudice (2005)


Twitter: @dystopianscifi

TV and Movies

Get all the best moments in pop culture & entertainment delivered to your inbox.



Source link

Continue Reading

Entertainment

Tom Holland Found Out He Was Spider-Man On Instagram

Published

on

By

“I’ve still got the article saved on my computer.”

Listen, I think it’s safe to say that Tom Holland is the perfect Spider-Man.


Han Myung-gu / WireImage / Getty Images

Now that he’s been in several Marvel movies as Spider-Man/Peter Parker, Tom is reflecting on how his wild and exciting journey in the Marvel Cinematic Universe started.

“The audition process was horrible. It was seven months of auditioning. I must’ve done six auditions, and they don’t tell you anything. You’re waiting and waiting, and then, eventually, I got a screen test.”


Chuck Zlotnick / Sony / Marvel / Everett Collection

Tom said he flew to Atlanta where it was him and “six other kids,” who were there to screen test with Robert Downey Jr., and Tom still believes that this screen test was “the best audition [he’s] ever done.”


Sony / Marvel / Everett Collection

“On the first take, Downey just completely changed the scene,” Tom recalled. “We started riffing with each other.”

Then, six weeks went by and Tom heard nothing, and he was convinced he didn’t get the part — especially after he checked online polls that didn’t have him as a favorite for the role.


Variety / Via variety.com

Tom said, “I was definitely not the favorite to get the part from the public.”

Finally, Tom got called back for another screen test, this time it was for a fight scene opposite Chris Evans, but he didn’t hear anything afterwards AGAIN.


YouTube / Sony / Marvel / Via youtu.be

“By that point, it had been an amazing enough of an experience that if I hadn’t got the part, I would’ve felt like I’d at least achieved something to get to that point.”

“I remember going on my phone and checking Instagram, and Marvel had posted a picture of Spider-Man, of the cartoon. And by this point, I kind of had assumed I hadn’t got it, because no one had called me.”


Variety / Via variety.com

Daniel being stunned that Tom found out online is hilarious to me.

“I got my computer, and my dog was sitting next to me. I type in ‘Marvel.’ I’ve still got the article saved on my computer. It said, ‘We would like to introduce our new Spider-Man, Tom Holland.'”

Now, this is where the most Tom Holland thing ever happens. After learning that he did get the part, Tom broke his computer because he “flipped it up in the air” and it fell off his bed.


Sony / Marvel / Everett Collection

Honestly, this has extreme Peter Parker energy too.

A little while later, Tom got a call from the studio and they gave him the news personally, but of course, Tom had already been celebrating with his family.

And, even after being announced as Spider-Man, Tom was “convinced” he was going to get fired after filming Captain America: Civil War and before filming Spider-Man: Homecoming.


Sony / Marvel / Everett Collection

He said, “I was convinced they were going to fire me. I don’t know why. Civil War hadn’t come out yet, and I just didn’t hear anything from anyone. I can’t really explain it. It was awful, but they didn’t — obviously.”

Reflecting on his entire Spider-Man journey, Tom said that he has “loved every minute of it,” even if the start was a little chaotic.

Basically, I’m still absolutely obsessed with how much Tom loves this role and being part of Marvel, and I can’t wait to see him in Spider-Man 3.

You can watch and read Tom Holland and Daniel Kaluuya’s entire Variety Actors on Actors conversation here.

BuzzFeed Daily

Keep up with the latest daily buzz with the BuzzFeed Daily newsletter!


Source link

Continue Reading

Entertainment

Quo Vadis, Aida? review – shattering return to Srebrenica | Film

Published

on

By

There’s a real tragic power in this almost unbearably brutal and shocking movie from writer-director Jasmila Žbanić about the Srebrenica massacre in 1995 during the Bosnian war, in which more than 8,000 unarmed Bosnian Muslims sheltering in a so-called UN “safe area” were slaughtered: the biggest civilian atrocity in Europe since the second world war. Dutch UN peacekeeping soldiers in powder-blue helmets had been unable to stop Bosnian Serb forces swaggering into their compound – undisciplined, jacked up with the brutal thrill of conquest, paranoid about combatants supposedly hiding among the civilian refugees and simply seething with ethnic hate.

Jasna Đuričić plays Aida, a schoolteacher-turned-translator who is employed by the UN to interpret in discussions between Bosnian Muslim leaders and UN officials, as Srebrenica falls to the Serb forces. Her husband Nihad (Izudin Bajrović) is a headteacher, and they sense that their military-age sons Hamdija (Boris Ler) and Sejo (Dino Bajrović) are now in great danger of reprisals from the victorious Serb army. As they huddle in the disused battery factory under the UN’s supposed protection with thousands of other terrified souls, and thousands more outside, with chaos, squalor and panic growing, Aida scurries around frantically trying to get information. She realises that the pathetic UN commander Karremans (Johan Heldenbergh) can do nothing in the face of the murderous bullies led by the notorious war criminal Ratko Mladić, played with horribly plausible conceit and disdain by Boris Isaković, smoothly and ambiguously announcing his determination not to hurt “innocent” people and handing out Toblerone bars to the trembling children.

As an interpreter, Aida is effectively the drama’s liaison or intermediary between the different constituencies: with her licence to roam, she can take the audience to the Serbs, to the Dutch UN officers and to the civilians. The camera is often running behind Aida as she desperately goes around, demanding that the UN do something or at least protect her family. Đuričić’s face is agonisingly etched with her own horror and disbelief; she seems to age 20 years in the course of the drama.

There is an extraordinary moment when, amid all the fear and boredom and cramped conditions, she sees two young people kissing and she starts laughing – overwhelmed, perhaps, at this evidence that life and humanity goes on, or perhaps at the glorious but vulnerable innocence of youth. Maybe the kissing couple think that everything will be all right, and a flashback gives us Aida’s own youth, taking part in a boozy “beauty contest” in a bar, in the days when Serbs, Muslims and Croats were still friends and neighbours. There are wrenching moments when Aida recognises former pupils of hers now in Serb uniform, pushing her around at gunpoint.

A previous film of Žbanić’s, Esma’s Secret: Grbavica, with a similar Bosnian theme, won the Golden Bear in Berlin in 2006, though I was less convinced. But her latest film seemed to me an icily brilliant and overwhelmingly convincing attempt to tackle, head-on, this shameful atrocity: shameful for the UN, the European Union and all those western world leaders who had been reluctant to intervene – perhaps because the totemic word “Sarajevo” made them fear a new world war. Perhaps also in their hearts they thought military intervention was all very well in the Middle East but not in Europe.

At any rate, the Srebrenica massacre arguably galvanised Nato forces against Mladic. As for the title, it’s taken from the apocryphal Christian tradition that Peter met the risen Christ outside Rome and asked him: “Quo vadis?” – “Whither goest thou?” – and the answer was: to Rome, to be crucified again. Aida herself is crucified twice, once during the massacre and again afterwards, as she begins to recognise certain people in the community she has rejoined. After 25 years, the time has come to look again at the horror of Srebrenica, and Zbanic has done this with clear-eyed compassion and candour.

Quo Vadis, Aida? is available on Curzon Home Cinema from 22 January.


Source link

Continue Reading

Breaking News

Shares