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The directors’ cut: film-makers choose the best movies of the century so far | Film



Barry Jenkins

Silent Light (2007)
The purest cinema. Thinking of it gives me the same feeling I had when the credits rolled on my first viewing of it over a decade ago. (I wonder how many other films on this list were in competition at the 2007 Cannes? What an astounding year for cinema.)

Andrew Haigh

Uzak (2002)
It is a gentle and profoundly compassionate film, one of the best about loneliness ever made. I think about it all the time.

Hirokazu Kore-eda

Secret Sunshine (2007)
Lee Chang-dong’s deep insight into human nature is reflected in the film.

Joanna Hogg

Margaret (2011)
An epic story about a New York teenager facing a complex moral dilemma in the shadow of 9/11. It’s told in a multi-faceted way that refuses to simplify or obey an overarching story, which only enhances the emotional veracity. I believe we respond to films subjectively – how, when and what mood we’re in when we watch a film – has to be taken into account when we pass judgement on a film. I saw Margaret projected in perfect conditions with an open mind and heart one night in 2011 at The Rex Berkhamsted – and was completely carried away by it. All too soon watching a film like Margaret in a beautiful cinema will be an experience of the past. We must do what we can to keep cinemas alive.

Mike Leigh

The Death of Mr Lazarescu (2005)
Exemplary low-budget masterpiece about a sick old guy being carted from hospital to hospital in the middle of the night. Honest. Direct. Real. Moving. Comic. Tragic.

Bradd Pitt in The Tree of Life.

Bradd Pitt in The Tree of Life. Photograph: Allstar/ICON FILM DISTRIBUTION/Sportsphoto Ltd./Allstar

Richard Linklater

The Tree of Life (2011)
For its vast ambition and meditative grace. It somehow manages to be both an intimate memory film while taking on the notion of all of existence. And I love the way it confounds and challenges perception itself.

Kenneth Lonergan

Talk to Her (2002)
The best of anything is impossible to identify, but the movie that keeps coming to my mind is Pedro Almodovar’s Talk To Her. How does he move so freely through this story? How does he attach these strange and loving characters to each other, to the music and the dance performances, to Sleeping Beauty, silent film, loneliness, innocence, fetishism, and the colour red?

Lucrecia Martel

Familia Sumergida (A Family Submerged) (2018)
Because it reveals eternal life in family conversations.

Steve McQueen

Café Lumière (2003)
A film that happens without you knowing.

Joshua Oppenheimer

I just can’t bring myself to name one film over all others. Can I spread the love and offer these:

Code Unknown (2000)
Dogtooth (2009)

Happy as Lazzaro (2018)

Import/Export (2007)

Nobody Knows (2004)

I’m so sorry – I have little practice at naming favourites.

László Nemes

Meek’s Cutoff (2010)
I saw Meek’s Cutoff in Paris when I was writing my first feature film, in 2011. Traditional cinema projection was already dying, but this film was screened in 35mm, and it was beautiful and hypnotic. I remember the profound impression this film made on me, with its maze-like experience, the humanistic point of view, the small scale against the huge western backdrop, the unanswered questions about humanity, savagery and civilisation. For me, this film is what cinema can achieve, even after the age of the “Masters” (but certainly influenced by it) – take the viewer on a journey that they can be a part of.

Leonardo DiCaprio in The Wolf Of Wall Street

Leonardo DiCaprio in The Wolf Of Wall Street Photograph: Allstar

Trey Parker and Matt Stone

Mad Max: Fury Road (2015)
We love everything George Miller has ever done and Fury Road will be his crowning achievement until, maybe, his next film comes out.

Pawel Pawlikowski

I have a real problem. There is no one film I liked most. I loved equally:
La Cienaga (2001)
The Death of Mr Lazarescu (2005)
You, the Living (2007)
Silent Light (2007)
Once Upon a Time in Anatolia (2011)
The Embrace of the Serpent (2016)

They all took me to places I’d never been to before, each one of them in its own, original way.

Sarah Polley

A Hidden Life (2019)
Watching A Hidden Life was a transformative experience for me. A call to arms.

Paolo Sorrentino

The Wolf of Wall Street (2013)
The finest comedy intermingled with the contemporary drama of humanity as it seeks a meaning and strength in its own existence, but ends up becoming a prisoner of the same, trapped in itself. And apart from that it’s as fine a lesson in style and imagination that any director could wish for.

The Who Lived.

Theo Who Lived. Photograph: Everett Collection Inc/Alamy

Michael Winterbottom

Theo Who Lived (2016)
I think choosing lists of the top 10 this or the best 10 that is a bit of a pointless task. I don’t even really have favourite films. There are loads of films that I like. If you asked me right now which film I would like to see again from the last 20 years it might be The Beat That My Heart Skipped by Jacques Audiard, or City of God by Fernando Mereilles. But if the point of a list is to encourage people to watch a film they haven’t seen then I’d pick Theo Who Lived (2016) – not for the film itself, but for the amazing story it tells.

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Funniest Mandalorian Tweets Season 2 So Far




If you can believe it, we’re already half way through Season 2 of The Mandalorian. And while we wait to see what’s in store for our favorite father-son duo in the next four episodes (WHERE IS ASHOKA TANO?!), here are a bunch of funny tweets to keep us laughing until then. This is the way!

BTW…like what you see below? Why not give these Twitter users a follow!

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Mark Ruffalo, Jennifer Garner In Ryan Reynolds’ Movie




Mark Ruffalo + Jennifer Garner = perfection.

No, it’s not a sequel to the beloved 2000s movie (I’m still keeping my fingers crossed for that in the future). But our favorite duo has signed up for something just as fun: They’re gonna play Ryan Reynolds‘s parents in a new film!

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According to The Hollywood Reporter, Ryan Reynolds will star in an upcoming sci-fi adventure called The Adam Project for Netflix. He’ll travel back in time and get help from his 13-year-old self to save the future.

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Modern-day Ryan and 13-year-old Ryan will turn to their dad, Mark Ruffalo, for assistance since he’s a brilliant physicist.

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Catherine Keener, who you might remember from Get Out and The 40-Year-Old Virgin, will play the villain who steals technology from Ryan’s dad.

And if that wasn’t cool enough, Zoe Saldana will be playing Ryan’s wife! And she’s gonna be a fighter pilot!

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So far, fans seem super excited about the film! Some people loved that Jennifer and Mark will play a couple again:

✨ Jennifer Garner and Mark Ruffalo working together again as a couple, we MANIFESTING ✨

Others were just stoked that Mark is blessing us with another movie:

@MarkRuffalo @VancityReynolds RUFFALO IS BACK

And some people have already started the memes, which are sure to be fabulous:

How excited are you?! LMK in the comments below!

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