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The Dig review – Sutton Hoo excavation romance is none too deep | Film



The Dig is actually not a very earthy film, though there is intelligence and sensitivity and a good deal of English restraint and English charm, thoroughly embodied by the fine leading performers Carey Mulligan and Ralph Fiennes. But the passions mostly stay buried, and the movie is disconcertingly structured in such a way that we are first asked to invest in these two intriguingly complex personalities, but then – just when their emotions might get disinterred – the focus shifts to a younger pair with more obvious romantic potential, played by Johnny Flynn and Lily James. Mulligan and Fiennes look like two characters who have been written out of their own soap opera. This doesn’t stop The Dig being engaging, and with a beautiful sense of landscape.

It is based on the true story of the sensational Sutton Hoo excavation in Suffolk on the eve of the second world war; an Anglo-Saxon burial ship was found by the self-taught working-class archaeologist Basil Brown, whose historic discovery the academic establishment instantly tried to appropriate, without credit. He had been hired by the local landowner and widow Edith Pretty, who had long nursed an instinct that there was something in the “mounds” on her property. The movie is vigorously adapted by screenwriter Moira Buffini from the 2007 novel by journalist and author John Preston – whose aunt Margaret Piggott was involved in the dig.

Ralph Fiennes plays Brown, a tough, self-reliant man of few words and an outdoor tan, who does a fair bit of pipe-filling, pipe-smoking and pipe-biting. Fiennes plays him as someone who knows his worth, and he insists on getting two pounds a week from Mrs Pretty for his work and for his lifetime’s knowledge. Mulligan is Edith Pretty: intelligent, beautiful, lonely and mysteriously moved by what Brown is uncovering and by Brown’s own quietly messianic sense of purpose. But then the grand folk from London arrive, intent on taking possession of their precious discovery: Ken Stott is on great form as the pompous British Museum archaeologist Charles Phillips, his face as fierce and red as a toby jug. But along with Phillips is the mousy scholar Stuart Piggott (Ben Chaplin), a dull fellow who is failing to satisfy his young wife Margaret (Lily James) emotionally. And she is attracted to Edith’s (fictional) cousin Rory (Johnny Flynn).

Of course, the idea of digging up the past and dredging up what has been emotionally buried in one’s heart saturates the entire film. A Suffolk local takes a dim view of Edith’s encouragement of Brown and remarks that he “should leave Mrs Pretty’s mounds alone!” That’s the Finbarr Saunders school of metaphor.

But actually, in that vulgar figurative sense, he pretty much does leave Mrs Pretty’s mounds alone. Her tentative offer of dinner is complicated by the fact that Basil is married to a woman called May, shrewdly played by Monica Dolan, and there is also a secret sadness and vulnerability in Edith’s own heart that would appear to preclude any such developments, though Mrs Pretty’s young son Robert (Archie Barnes) might well be seeing Basil as a father figure.

This movie has Englishness right through it like a stick of rock, a vigorous sense of place and period, though it’s in the vein of hardback/tasteful cinema that’s a bit of a Brit movie cliche. Carey Mulligan gets the traditional hat-and-coat walk through the busy wartime London streets that was awarded to Gemma Arterton in Their Finest and Keira Knightley in The Imitation Game. The story itself is rooted in the robust literary tradition of LP Hartley, Bruce Chatwin, Graham Swift and Ian McEwan – with some Larkinian musing at the end about what will survive of us in a thousand years. Margaret tells Rory that in their case, it will the metal wheels in his watch and perhaps some fragments of their china tea mugs. No nonsense about love.

The first act about Edith and Basil is arresting and the discovery scene is great – but where will their relationship go? The second act gives us a young love story with much less depth. But maybe that is the point. Edith and Basil have their moment and it is destined to be buried by the newcomers and the vast obliterative forces of history.

• The Dig is released on Netflix on 29 January.

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Fate The Winx Saga On The Show Vs. Real Life




Another Netflix cast I’d like to be BFFs with.


Abigail Cowen as Bloom

Netflix / @abbeycowen / Via

If you’re a ride-or-die Netflix watcher, then you probably know Abigail from her role as Dorcas on Chilling Adventures of Sabrina. She also appeared on The Fosters as Eliza Hunter, the mini-series The Power Couple, and two episodes of Stranger Things as Vicki, one of the girls who notices when Billy first pulls up to Hawkins High School. In 2020, Abigail also appeared in the movie I Still Believe opposite KJ Apa and Britt Robertson.

You can follow Abigail on Instagram here.


Precious Mustapha as Aisha

Netflix / @preciousmustaph / Via

Precious’s role as Aisha on Fate: The Winx Saga is her first major movie or TV role, which is absolutely incredible. She’s also set to star in the TV series Code 404 in 2021 as well.

You can follow Precious on Instagram here.


Hannah van der Westhuysen as Stella

Netflix / @hannavdw / Via

Stella on Fate: The Winx Saga is one of Hannah’s first major TV roles. Previously, she appeared in the movie The Bay of Silence and the TV series The Fugitives. She’s also set to star in the biopic Lamborghini, opposite Alec Baldwin.

You can follow Hannah on Instagram here.


Eliot Salt as Terra

Netflix / @abbbeycowen / Via

Eliot had a pretty big 2020 leading into her starring role as Terra on Fate: The Winx Saga. She starred on Intelligence as Evelyn opposite David Schwimmer and Nick Mohammed, and she most notably appeared on Normal People as Joanna, one of Marianne’s friends.

You can follow Eliot on Instagram here.


Elisha Applebaum as Musa

Jonatahn Hession / Netflix / @elisha_applebaum / Via

Musa on Fate: The Winx Saga is Elisha’s first major TV or movie role. Before starring in this new Netflix sieres, she previouslly appeared in some short films and she’ll appear in the upcoming movie No Reasons.

You can follow Elisha on Instagram here.


Danny Griffin as Sky

Netflix / @danny_griffin_ / Via

Prior to starring as Sky on Fate: The Winx Saga, Danny starred on the Netflix series Get Even in 2020. He also appeared in the movie The Gentleman opposite Matthew McConaughey, Charlie Hunnam, Michelle Dockery, Colin Farrell, Hugh Grant, and Henry Golding, just to name a few.

You can follow Danny on Instagram here.


Freddie Thorp as Riven

Netflix / @freddiethorp / Via

Before starring as Riven on Fate: The Winx Saga, Freddie appeared on the TV series Safe and in an episode of A Discovery of Witches. He also starred in the movie Overdrive opposite Scott Eastwood and Ana de Armas.

You can follow Freddie on Instagram here.


Theo Graham as Dane

Netflix / @theofarrislee / Via

Prior to starring as Dane on Fate: The Winx Saga, Theo is probably best-known for his work as Hunter McQueen in the British soap opera Hollyoaks. He starred in 125 episodes of Hollyoaks from 2016 to 2018. Theo has also appeared in Clink, Doctors, and Brief Encounters.

You can follow Theo on Instagram here.


Sadie Soverall as Beatrix

Jonathan Hession / Netflix / @sadiesoverall / Via

Sadie’s role as Beatrix on Fate: The Winx Saga is her first ever starring role on a TV show or in a movie. Before this, she appeared in the movie Rose Plays Julie, but that’s it. Honestly, she absolutely crushed it for her first TV show.

You can follow Sadie on Instagram here.


Jacob Dudman as Sam Harvey

Jonathan Hession / Netflix / @jacobdudman / Via

Before starring as Sam on Fate: The Winx Saga, Jacob might be best-known for voicing the roles of the Tenth Doctor, Eleventh Doctor, and Twelfth Doctor as part of audio dramas for the Doctor Who TV series. He also appeared on the Netflix series Medici and The Stranger. You can also check out Jacob’s YouTube channel.

You can follow Jacob on Instagram here.


Robert James-Collier as Saul Silva

Jonathan Hession / Netflix / Jeff Spicer / Getty Images

One of the most recognizable faces in the Fate: The Winx Saga cast, Robert is best-known for his starring role as Thomas Barrow on Downton Abbey and as Liam Connor on Coronation Street. Currently, he also stars on the British drama-comedy Ackley Bridge.


Eve Best as Farah Dowling

Netflix / Dave Benett / Getty Images

Eve has starred in numerous notable TV shows, movies, and plays. On TV, she’s probably best-known for her work as Dr. Eleanor O’Hara on Nurse Jackie. She also starred on The Honourable Woman, The Infinite Worlds of H.G. Wells, and Lucky Man. In film, Eve starred opposite Colin Firth in The King’s Speech. And, on stage, Eve won an Olivier Award for her work in Hedda Gabler in 2005. And, she made her Broadway debut in A Moon For The Misbegotten, which earned her a Tony nomination. She also appeared on Broadway in The Homecoming and Old Times.


Eva Birthistle as Vanessa

Netflix / Karwai Tang / WireImage / Getty Images

Before appearing on Fate: The Winx Saga as Bloom’s mom, Eva has starred in numerous TV shows and movies. Currently, she stars on Netflix’s The Last Kingdom as Hild. In terms of movies, she’s starred in Ae Fond Kiss…, Brooklyn opposite Saiorse Ronan, Imagine Me & You opposite Piper Perabo and Lena Headey, and much more. Also, Eva is Irish in real life.


Alex Macqueen as Professor Harvey

Netflix / Ian Gavan / Getty Images

Alex has starred in numerous TV shows prior to Fate: The Winx Saga. He’s probably best-known for his roles on Holby City, Hut 33, Peep Show, The Inbetweeners, Hunderby, Peaky Blinders, Sally4Ever, and much more. He also appeared in the live-action Cinderella movie. Alex also voiced The Master in numerous audio dramas for Doctor Who.


Josh Cowdery as Mike

Netflix / @joshcowdery / Via

Prior to appearing as Bloom’s father on Fate: The Winx Saga, Josh appeared in several notable TV shows and movies. He appeared in The Avengers and Agents of S.H.I.E.L.D. as a member of S.H.I.E.L.D., and he starred in Fantastic Beasts and Where to Find Them as Senator Shaw. Like Eva, Josh is actually Irish in real life too.

You can follow Josh on Instagram here.


Kate Fleetwood as Queen Luna

Jonathan Hession / Netflix / Karwai Tang / WireImage / Getty Images

Before appearing as Stella’s mother Queen Luna on Fate: The Winx Saga, Kate is probably best-known for her work on Broadway and the West End. She was nominated for a Tony Award for her performance as Lady Macbeth in Macbeth, a role that she performed on Broadway and on the West End. She was also nominated for an Oliver Award for her work in London Road . Outside of theater, Kate has also appeared in Star Wars: The Force Awakens, Harry Potter and the Deathy Hallows — Part 1, Brave New World, Harlots, Victoria, and much more.


Lesley Sharp as Rosalind

Netflix / Sylvain Lefevre / Getty Images

A well-known British actor, Lesley is known for her work on Clocking Off, Bob & Rose, Scott & Bailey, Starlings, Afterlife, and much more. She was also nominated for a BAFTA Award for her work in the film The Full Monty in 1997. Outside of TV and film, Lesley has also appeared in numerous stage productions such as Harper Regan and A Taste of Honey at the Royal National Theatre.

You can follow Lesley on Instagram here.

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Legacies Hope And Landon Season 3 Premiere Kiss




“I know this is a fairy tale and all, but…”

🚨Spoilers ahead!!!🚨

After a long hiatus, Legacies finally returned last week on The CW.

The Season 3 premiere picked up with Hope stuck in a magical coma, staying asleep to avoid dealing with the reality of Landon’s death.

Eventually, Rafael persuades ghost Landon to return to his body so they can get Hope back. Landon then wakes Hope up with a “true love’s kiss” and she magically comes back to life.

I’ve gotta be honest — this plot choice left a bad taste in my mouth for several reasons. For one thing, Legacies teased a nearly identical situation with Hope and Josie in the Season 2 finale, but with a VERY different message.

The CW

It’s worth remembering that Josie was later revealed to be the pig.

Legacies set a very clear standard with the above scene: Non-consensual kisses aren’t okay, and people who are unconscious obviously cannot give consent. So, uh, why did that rule suddenly fly out the window the very next episode?


Yes, I know Landon is Hope’s boyfriend and one might be able to conclude that she would probably be okay with him kissing her, but still — it sends an iffy message. You still need consent even in an established relationship.

And look, I get the whole Sleeping Beauty reference, and I’m not suggesting anything intentionally sinister on Landon’s part. HOWEVER. TV often holds LGBTQ relationships to higher standards and this feels like a shining example of that.

The CW

If Hope needs to ask for consent to kiss Josie (as she should!), then the rules should NOT be different with Landon.

This is also part of a larger issue with the way Legacies approaches its W|W relationships. While it’s fantastic that we have multiple queer female characters, it’s a bit disappointing that we’ve really only seen one sapphic couple (Josie and Penelope, who were already broken up) so far. The show also constantly teases Hope and Josie’s mutual attraction but has yet to actually do anything with it — at this point, it’s hard for it to feel like anything but queerbaiting.

Meanwhile, most of Hope’s recent storylines involve Landon to the point where Hope barely feels like her own character anymore. That’s not to say she can’t have a love interest — of course she can! — but she’s literally supposed to be like, the most powerful being ever. She deserves to have storylines that don’t revolve around Landon, and the way the premiere chose to resolve the problem was disappointing, IMO.

The CW

Hope also felt pretty out of character in this episode too, if I’m being honest. You’re telling me all she wants to do when she wakes up is make out with Landon? Not check on any of her friends — namely Josie, who she spent an entire episode trying to save and was one of the reasons she was in the coma?

So yeah, TLDR — the Hope and Landon kiss shouldn’t have happened because it enforced an unfair double standard and it was an overall disservice to Hope’s character arc.

And I’m not the only one with strong feelings about the kiss:

and the thing is josie gave consent to hope to kiss her, hope just didn’t know that it was josie she was talking to. however hope didn’t give landon consent to kiss her because she was unconscious so before y’all come after the w|w ship you need to think about that #legacies

Twitter: @josiescraft

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WandaVision Tweets On Wanda And Vision’s Relationship




“We’re an unusual couple, you know?”

🚨 Warning: WandaVision spoilers ahead! 🚨

If you’ve been keeping up with WandaVision on Disney+, then you already know that Wanda and Vision have some seriously adorable moments as a couple.

Disney+ / Marvel Studios / Courtesy Everett Collection

In fact, fans on Twitter have been swooning over the pair since the show’s premiere. So, here are some of the most wholesome — and funniest — tweets that sum up everyone’s love for Wanda and Vision:


i just read that the reason vision kisses wanda’s hands all the time is because that’s where her powers come from, and she hates her powers but he loves everything about her and now i need to go lie down


wanda looks so happy and in love while looking at vision, it breaks my heart to think that by the end of the show, she will probably lose him once again


the 70s is gonna be the peak of wanda and vision’s relationship before they have the twins 🌝 they look so adorable


i laughed so hard when vision couldn’t handle the air and wanda is just like “😁”



when I realise Wanda will have to leave her reality and Vision will be gone 💔

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