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And cut! Hollywood’s obsession with suits as status symbols | Film

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There is a telling moment in Tenet when John David Washington meets Sir Michael Caine for lunch at his posh London club. “Your Brooks Brothers suit won’t cut it in these circles,” Caine informs him dismissively, in a riff on the time-honoured “let me recommend you my tailor” routine. It’s the closest the movie gets to acknowledging that Washington’s character is a black man negotiating an overwhelmingly white world of power, wealth and social barriers. But it is also an admission that Tenet itself dearly wants to be considered in “those circles”.

Despite the men’s suit being a symbol of establishment conformity in real life, it still triggers associations of masculine status and dashingness on screen. Wear a good suit and you’re channelling Cary Grant, Humphrey Bogart, Sean Connery, even Caine himself. American action heroes such as Tom Cruise prefer more practical combat gear these days, but for a certain strain of British cinema especially, the tailoring is as crucial as the spycraft, from Guy Ritchie’s The Man from UNCLE to Tinker Tailor Soldier Spy (John le Carré noted a certain dandyism in British spies of the era). Doubling down on the suits in Inception, Tenet’s superior sartorial game puts Christopher Nolan firmly in the club.

Colin Firth in Kingsman: The Secret Service.
Dapper chap … Colin Firth in Kingsman: The Secret Service. Photograph: Jaap Buitendijk/Allstar/20th Century Fox

Next up, we’ve another instalment in Matthew Vaughn’s Kingsman franchise, whose secret society is named after and headquartered within a Savile Row tailor’s shop. Vaughn was inspired by a visit to his real-life tailor’s, Huntsman, which has served as both location and outfitter to the movies. Again, the suit maketh the spy in Kingsman, hence street kid Taron Egerton’s Pygmalion-like makeover in the first movie. By contrast, the villain, Samuel L Jackson, accessorises his Ascot suit with a baseball cap – the horror! The King’s Man, a prequel set in the early 20th century, doubtless hinges on Ralph Fiennes’s ability to tie a Windsor knot.

Then, in November, we arrive at ground zero of suit fetishisation: James Bond. There are entire websites devoted to James Bond’s suits. Dressing the part has been an element of the Bond code from the start. Connery references his Savile Row tailor in Dr No, just as in Casino Royale, having mentally taken Daniel Craig’s measurements, Eva Green’s Vesper Lynd orders him up a proper dinner jacket. As with Washington, his old suit won’t cut it in “these circles”.

But what’s this? In preview images from No Time to Die, Craig is sporting a beige corduroy suit – and braces! When Barack Obama wore a tan suit at the presidential podium six years ago he was criticised as “un-presidential” by some critics – as with Washington, the implication was that he didn’t belong in the club. It shouldn’t matter but in spy movies, as in life, the code you really have to crack is the dress one.

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Scientists Think These Are The 10 Scariest Movies

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I’m already hyperventilating.

It’s the scariest time of the year—Halloween, of course—and for many thrill-seekers that means binging on the most frightening horror films out there.

UK broadband company broadbandchoices recently conducted a scientific study tracking the heart rates of 50 people watching over 120 hours of beloved horror films in 5.1 surround sound.

You can check out the results of the entire study here. For now, here’s the top ten films that triggered the highest average heart rate in the participants.

10. The Visit (2015) – 79 BPM

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M. Night Shyamalan’s unsettling fright-fest about two children visiting their grandparents for the first time is packed with enough jump-scares to keep you up at night.

9. The Descent (2005) – 79 BPM

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Not gonna lie: I recently saw this nightmarish tale of six women trapped in a cave system, and it still keeps me up at night.

8. The Babadook (2014) – 80 BPM

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Australian director Jennifer Kent’s debut feature is one of the scariest films in recent memory, as well as a devastating look at the trials of parenthood.

7. The Conjuring 2 (2016) – 80 BPM

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But wait—where’s the first one? Oh, we’ll get to it.

6. It Follows (2015) – 81 BPM

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David Robert Mitchell’s first feature became an instant horror classic off the sheer strength of its premise. It’s all in the title, really: It follows. And it never stops! How terrifying.

5. Paranormal Activity (2009) – 82 BPM

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Pro tip: If the trailer for your movie mostly consists of people freaking out while watching your movie, you’ve made a pretty scary movie.

4. Hereditary (2018) – 83 BPM

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What’s scarier than family? That’s the question that Ari Aster’s terrifying debut feature posed—and, trust me, you’re gonna want to sleep with the lights on after this one.

3. The Conjuring (2013) – 84 BPM

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Remember when I said we’d get to this one? James Wan’s first entry in The Conjuring franchise packed more jump-scares than a thousand haunted houses.

2. Insidious (2010) – 85 BPM

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Another one from James Wan, with a script written by Leigh Whannell (who directed this year’s incredible and frightening The Invisible Man). Strong Poltergeist vibes from this one, to the point where it’ll have you hiding under your bedsheets.

1. Sinister (2012) – 86 BPM

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I mean—how could Sinister not be at the top? Have you seen it? I’m getting chills just thinking about it. (But if you haven’t yet and you like scary movies—go see it and have a scary good time.)

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Iconic Halloween Movie Checklist

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“One, two – Freddy’s coming for you. Three, four – better lock your door.”

  1. Check off all the horror movies you’ve seen:

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Taylor Swift Presented Gabby Barrett With A CMT Award For A Category She Won In 2007

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She’s come full circle.


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